{"id":266203,"date":"2018-05-09T10:30:06","date_gmt":"2018-05-09T14:30:06","guid":{"rendered":"https:\/\/policyoptions.irpp.org\/issues\/use-culture-to-strengthen-friendship-with-mercosur-countries\/"},"modified":"2025-10-07T22:05:00","modified_gmt":"2025-10-08T02:05:00","slug":"use-culture-to-strengthen-friendship-with-mercosur-countries","status":"publish","type":"issues","link":"https:\/\/policyoptions.irpp.org\/fr\/2018\/05\/use-culture-to-strengthen-friendship-with-mercosur-countries\/","title":{"rendered":"Using culture to strengthen Mercosur ties"},"content":{"rendered":"

Now is the time to put C\u00e9line Dion and the Cirque du Soleil on a plane to South America. While we are at it, let\u2019s not forget to book additional seats for the singer-filmmaker Alanis Obomsawin, the novelist Dany Laferri\u00e8re and countless other Quebec artists who help project an engaging image of Canada abroad. Cultural ambassadors may be just what our country needs as it embarks on a journey of negotiations<\/a> with the four countries that make up the Mercosur trade bloc: Argentina, Brazil, Paraguay and Uruguay.<\/p>\n

Talks between Canada and Mercosur member nations began in March when Minister of International Trade Fran\u00e7ois-Philippe Champagne met twice with his South American counterparts, first in Asunci\u00f3n, Paraguay, and then in Ottawa. As a strategy for coping with US President Trump\u2019s \u201cAmerica First\u201d policy, diversification with the Mercosur trade bloc (the fourth largest in the world) should not be overlooked.<\/p>\n

Brazil is the major player in that group, and many of its connections to Canada run through Quebec. In 2008, the province opened a government office in S\u00e3o Paulo to help foster bilateral cooperation agreements and trade. It has since welcomed thousands of francophile Brazilian students, immigrants and tourists in addition to helping tighten relations between the two countries in the field of science and technology. Yet Brazil\u2019s enthusiasm for Canada\u2019s trade diversification scheme cannot be taken for granted, as the Universit\u00e9 de Montr\u00e9al political scientist Philippe Faucher recently told Le Devoir<\/em><\/a>.<\/p>\n

Canada\u2019s deal makers should therefore take advantage of all the talent on hand, including that of cultural ambassadors. Such an approach would be consistent with the Trudeau government\u2019s nation-branding efforts. In fact, last fall the Standing Senate Committee on Foreign Affairs and International Trade launched an encouraging initiative: a study<\/a> on the \u201cimpact and utilization of culture and arts in foreign policy and diplomacy.\u201d It signals a willingness to re-engage with art\u2019s potential as a means of building trust and mutual understanding through projects that enhance Canada\u2019s international image and encourage people-to-people interactions.<\/p>\n

Cultural ambassadors may be just what our country needs as it embarks on a journey of negotiations with the four countries that make up the Mercosur trade bloc: Argentina, Brazil, Paraguay and Uruguay.<\/p><\/blockquote>\n

Placing culture somewhere close to centre stage is an especially good idea considering that the preservation of cultural diversity is a contentious issue in a globalizing world. Mercosur member nations are currently grappling with this, both in their relations with each other and as a region engaged in international trade. Just like Canada, they are parties to UNESCO\u2019s Convention on the Protection and the Promotion of Diversity of Cultural Expressions<\/a>, which recognizes that cultural and creative industries are unlike other industries in that they serve a dual function: they help spur economic growth while also producing the works that make up the fabric of a nation\u2019s identity. Some protection for cultural goods and services is therefore warranted in the making of free trade agreements. We Canadians, by virtue of our proximity to the United States, have no shortage of experience on that front. Our South American counterparts are well aware of that because of our interactions with them in various transnational networks. There is a recent history of shared preoccupations here.<\/p>\n

There is also an older history to build on. It is a little-known fact that Canada\u2019s first official foray into the realm of cultural diplomacy occurred in 1944 following the establishment of reciprocal diplomatic relations with Brazil. That year, according to archival documents, the Montreal-born diplomat Jean D\u00e9sy and Oswaldo Aranha, Brazil\u2019s minister for foreign affairs, signed an acordo cultural<\/em> to facilitate \u201cthe organization and presentation of artistic exhibitions, concerts, lectures, radio programmes, films and other activities\u201d to further \u201cthe understanding of one country by the other.\u201d The agreement and the subsequent inauguration of a Canada-Brazil Institute (with branches in Rio de Janeiro and S\u00e3o Paulo) helped kick-start a particularly intense period of cultural exchanges, which provided the backdrop to closer economic and political relations.<\/p>\n

Canadian artists and cultural promoters, most of them from Quebec, played an active role in this rapprochement: from the composer-educator Claude Champagne to the painter Jacques de Tonnancour and the pianist Ellen Ballon. Others did so remotely, such as Alfred Pellan, who, in 1942, prepared a pair of paintings for the recently established legation in Rio de Janeiro. D\u00e9sy had commissioned the two works \u2014 Canada West<\/em> and Canada East<\/em> \u2014 to tell Brazilians about our country\u2019s diverse landscape and our accomplishments in the arts (these are the same two paintings that caught the media\u2019s attention in 2011 when they were temporarily removed<\/a> from their current location in the Lester B. Pearson Building by then Foreign Affairs Minister John Baird). That Brazil and Canada have maintained cordial relations despite a number of recent economic irritants (most notably in the aerospace market, with Bombardier competing against Embraer, based in S\u00e3o Paulo) is a testament to the solid foundations established through these efforts.<\/p>\n

We are now emerging from a \u201cdecade of darkness,\u201d to borrow an expression used by<\/a> the analyst Daryl Copeland to describe the Harper government\u2019s lack of interest in cultural diplomacy. Canada and Quebec should seize this opportunity together to tighten their bonds of friendship with Brazil and, concurrently, its Mercosur partners. More importantly, cultural actors from all sectors must mobilize to ensure that diversity and inclusiveness, as well as reciprocity, are the sine qua non<\/em> of any Canada-Mercosur trade agreement \u2014 that is, if it is indeed Ottawa\u2019s intention to diversify in ways that reflect and strengthen our core Canadian values.<\/p>\n

Photo: Foreign ministers Aloysio Nunes from Brazil, Rodolfo Nin Novoa from Uruguay, Eladio Loizaga from Paraguay, Canadian Minister of International Trade Francois-Philippe Champagne, Argentinian Foreign minister Jorge Faurie and Minister of Industry, Foreign Trade and Services of Brazil Marcos Jorge de Lima participate in the signing of a joint statement that will give way to negotiations between Mercosur and Canada at the headquarters of the Ministry of Foreign Affairs of Paraguay in Asuncion, Paraguay, 09 March 2018. The four foreign ministers of Mercosur (Argentina, Brazil, Paraguay and Uruguay) will formalize the beginning of negotiations for a free trade agreement with Canada, represented at the summit by its Minister of International Trade, Francois-Philippe Champagne. EPA\/ANDRES CRISTALDO<\/span><\/p>\n

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Now is the time to put C\u00e9line Dion and the Cirque du Soleil on a plane to South America. While we are at it, let\u2019s not forget to book additional seats for the singer-filmmaker Alanis Obomsawin, the novelist Dany Laferri\u00e8re and countless other Quebec artists who help project an engaging image of Canada abroad. Cultural […]<\/p>\n","protected":false},"featured_media":257192,"template":"","meta":{"_acf_changed":false,"content-type":"","ep_exclude_from_search":false,"apple_news_api_created_at":"2025-08-30T07:05:19Z","apple_news_api_id":"4a926efb-a5e4-4ee7-83dc-e39787a24c3b","apple_news_api_modified_at":"2025-08-30T07:05:19Z","apple_news_api_revision":"AAAAAAAAAAD\/\/\/\/\/\/\/\/\/\/w==","apple_news_api_share_url":"https:\/\/apple.news\/ASpJu-6XkTueD3OOXh6JMOw","apple_news_cover_media_provider":"image","apple_news_coverimage":0,"apple_news_coverimage_caption":"","apple_news_cover_video_id":0,"apple_news_cover_video_url":"","apple_news_cover_embedwebvideo_url":"","apple_news_is_hidden":"","apple_news_is_paid":"","apple_news_is_preview":"","apple_news_is_sponsored":"","apple_news_maturity_rating":"","apple_news_metadata":"\"\"","apple_news_pullquote":"","apple_news_pullquote_position":"","apple_news_slug":"","apple_news_sections":[],"apple_news_suppress_video_url":false,"apple_news_use_image_component":false},"categories":[9360,9385,9372],"tags":[8665,8407],"article-status":[],"irpp-category":[4217,4245],"section":[],"irpp-tag":[7183,7136],"class_list":["post-266203","issues","type-issues","status-publish","has-post-thumbnail","hentry","category-international","category-medias-et-culture","category-recent-stories-fr","tag-amerique-du-sud","tag-trade-fr","irpp-category-affaires-internationales","irpp-category-economie","irpp-tag-commerce","irpp-tag-medias-et-culture"],"acf":[],"apple_news_notices":[],"yoast_head":"\nUsing culture to strengthen Mercosur ties<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/policyoptions.irpp.org\/fr\/2018\/05\/use-culture-to-strengthen-friendship-with-mercosur-countries\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Using culture to strengthen Mercosur ties\" \/>\n<meta property=\"og:description\" content=\"Now is the time to put C\u00e9line Dion and the Cirque du Soleil on a plane to South America. 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